Tag Archive | retroactively inspired

Double retroactive inspiration

A blog I wrote in 2013 about my favourite subject of ‘retroactive inspiration’, needs an update!
In an newspaper I saw a beautiful picture of a 60 years old cable cabin, located in Chiatura in Georgia. I looked it up on the internet and there were even more pictures of this amazing 6 kilometre long cable transport, what is still used intensively by the locals.
When I painted my cable cabins in 2003, internet already was a good source to find all kinds of stuff, but this kind of treasures weren’t discovered yet. So, those days I painted the cabins like I thought an oldfashioned cabin would look like.
Now I’ve seen these pictures of the cabins in Chiatura I can add a new case to my tag list of retroactive inspirations.

What about originality?

28 November 2016

Some people say: “Everything has been done already before”.
And I’ve always been afraid that the things I paint are created by someone else once before. That I am not aware of it and therefore I innocently could be accused of copy-catting. A demoralising thought!
Before the start of a new painting I thoroughly search the internet for images that could be interpreted as similar to my idea. If I find one, then the inspiration is instantly quenched.
Luckily it only happened once. I wanted to paint a Dutch mill on a moonscape, but a friend found an image of a comparable scene! I was disappointed and relieved at the same time.

There are artists who are inspired by the work of another artist. I think most of the artist are. At least at the beginning of their career. A lot has been written about the concept of inspiration, but personally I don’t want to see who is the source of inspiration in one’s artwork. If that is too transparent, I think the artist hasn’t fully developed his or her own handwriting. I won’t say then he is not a good artist, but for my own work I find it a requirement that nobody can see the early puppy admiration.
Actually, I’m not flattered anymore if someone says: “Ohh, your work reminds me of Dali!” Grmppff … what Dali?!?! My work is completely different! And it isn’t Willink-like too. Phew, get some new glasses!

I really want to stop checking the web before I hit a new canvas. Both beforehand and afterwards.
When I started my series of portraits in 2011 and just had finished 3 of them, I discovered a Serbian painter who created the same kind ‘deformed’ portraits and also had added a kind of fantasy stories to them.
I was upset for months! I so had enjoyed painting my own portraits and making up their imaginary lives … and now suddenly I could not go on with this project. The spark was completely dead.
It took months before I found back the fun. Months before I could see that the difference between the Serbian guy and me was big enough to go on. That there was room for both of us.

The image on the top left I found on the internet and is made by Justin Miller. On the right side my Agaricia Bullio.
The second left image was named ‘Gonzo Green forest’, but I couldn’t find any more information.
Justin, Gonzo, Slavko and I possibly have been the soil for the seeds of the same source of inspiration.
It doesn’t matter … everything has been done already before. It was a stupid fear anyway.

inspiration, originality

Real life beats fantasy

27 November 2013 (South Africa)

Again I saw an appearance in nature that I painted years before I had seen it in real. Or even ever thought it would exists in real.
Our last stop back to the south of South Africa, was in the little town Graaff Reinet. A few miles out of town there was a large National Park called Camdeboo. On one of the viewpoints there was a beautiful view on the mountain ‘Spandau Kop’. Look how it has -in a certain way- similarities with a painting I created in 2003, when I never have had one single thought about visiting South-Africa in the future.
It’s a kind of inspiration the other way around.

Spandau Kop, Valley of desolation, Graaff Reinet, South Africa, Patricia Van Lubeck Patricia Van Lubeck, Real life beats fantasy 1

The locked up guys, viewing us from their safe cabin, are making the ‘backwards inspiration’ even crazier, viewed in the light of my recent thoughts about the gap between black and white people in South-Africa.




Bosco verticale

9 July 2013

A few years ago I wrote about some awesome real living trees in Spain I discovered AFTER I painted similar sort of trees in a painting.
I was under the impression that mother nature had imitated me! Not mentioning that the Spanish trees were probably older than I am, but please, let me cherish my illusions.

This week I stumbled upon a picture of Bosco verticale. A vertical forest set on a building, designed by Boeristudio in Italia. Putting their image beside my painting I could add another story to my imaginary prides.
And if, ooohhh if it was not me, if the Boeri-guys were not inspired by my painting, then at least there must be something in the air that gives people all around the world the same ideas. A source with ingredients for certain concepts which are apparently evident for this era.

Click on the images for the painting and the article.


boscoverticale01   Bosco verticale

Populus Flucta in real

1 December 2012 (Namibia)

In October/November Frank and I travelled to South-Africa to visit my Dad and to make a camper trip through Namibia.
One of the things I really have to mention in this art blog, is that the story of one of my paintings, now has become to life …

Populus Flucta in realWhen I painted Populus Flucta in 2006, the base of this idea (beside the landscaping) were the unique nests build by birds that live in the Kalahari desert. The nests are actually enormous hollow rooms and can contain sometimes more than 100 pairs of birds and the nests can be used by several generations of birds. I had never seen this nests in real. I only had read about it.

Now, 6 years later, we camped at the edge of the Kalahari desert! There was no fence or a border around the camp site and everything was ‘out there’. It wasn’t a difficult decision to set the alarm clock just before sun rise (otherwise it was too hot for a long walk) and sneak into the wide and silent desert. The sky was beautifully lilac and the animals were not to sleep yet.
After an hour I saw a HUGE one.

Camp site

Camp site

populus flucta in real

Here is the first large nest of the birds called ‘social weavers’

They also nesting in living trees

Here you see all the ‘doors’ to the separate rooms

Sometimes the birds choose a pole

More Namibia

Retroactively inspired

7 September 2009

Patricia Van LubeckNormally; first there is my painting … and then Mother Earth imitates me with a pale shadow of my created treasures. That’s how it happens all the time!
Being a painter is a case of self-confidence, isn’t it?

Somewhere in Spain, Mother Nature has been ahead of me.
I created the painting named ‘September’ a long time ago, in the year 2001.
But … last year I saw some amazing pictures of a couple of trees in Madrid. I couldn’t deny that these trees must have started their lives long, long before the canvas of my painting was even woven …

Aren’t they beautiful?

Lubeck trees in real life Retroactively inspiration